大鱼海棠英文介绍

大鱼海棠英文介绍 影评
If you grew up watching Chinese animation, you probably got the feeling that animation was something only kids could enjoy. Even today, the offerings are fairly limited: The *shrill, *slapstick *antics that dominate shows like Boonie Bears (《熊出没》) and Pleasant Goat and Big Big Wolf (《喜羊羊和灰太郎》) are aimed *squarely at children, leaving few options for cartoon-loving adults.
假如你是从小看我国动画片长大的，那么动画片在你的印象中或许只合适小孩子。即使到了今日，可供挑选的动画片也非常有限：像《熊出没》和《喜羊羊和灰太狼》这样的动画，尽是惊声尖叫的搞怪闹剧，直接确定儿童观众。关于喜欢动画片的成年人来说，并没有多少挑选。

 
By and large, Chinese cartoonists have yet to come up with more mature work, as touching and inspiring as the films of Miyazaki Hayao. The 2015 animated film, Monkey King: Hero Is Back (《大圣归来》), was a step in the right direction. But this summer may mark a turning point. With the release of Big Fish and Begonia (《大鱼海棠》) on July 8, Chinese animators aim to get their art taken seriously.
总的来说，我国漫画家没有发明出更多老练的著作，这些著作无法像宫崎骏电影那样催人泪下、振奋人心。不过，2015年的动画电影《大圣归来》则在正确的路途上前进了一步。今年夏天，我国动画有望迎来一个转折点。7月8日《大鱼海棠》上映，借此我国动画师期望他们的著作得到注重。

“We hope this animated film will mirror every audience in its own way,” said Liang Xian, co-director of Big Fish.
“咱们期望这部动画电影像一面镜子，不同的人看了会有不同的感触，”《大鱼海棠》导演之一梁旋说道。

The film follows a 16-year-old named Chun who tries to save the life of a human by protecting his soul. The soul takes the form of a tiny fish. And as Chun nurtures the fish, her love grows too.
这部电影叙述的是16岁的少女椿企图解救一个人类男孩的生命，维护他魂灵的故事。男孩的魂灵化作了一条小鱼。在哺育这条小鱼的一同，她的爱情也在滋长。

Liang says that different people will see different themes in the story–about freedom and friendship, love and life. In fact, the story itself has evolved over its 12 years of production. Liang has had to reinterpret its meaning multiple times.
梁旋说，不同的人会透过这个故事看到不同的主题——有关于自在、友谊、爱情和生命。事实上，这个故事自身历经了十二年的制造周期并不断改进。对这个故事的意义，梁旋自己也在不断重新认识。

When he first got the idea for the project, Liang was just a 21-year-old dropout from Tsinghua University. He and a fellow Tsinghua student, Zhang Chun, made a flash animation that served as the basis for Big Fish, and they put it online in May 2004. It was *acclaimed both domestically and internationally for its marvelous scenes and its use of the Taoist classic A Happy Excursion (《逍遥游》). “At that time, the story to me was all about freedom, as I just embarked on the animation career that I had always dreamed of,” Liang said.
对这部电影初有主意时，梁旋只要21岁，其时他是一名从清华大学退学的学生。他和大学的学张春一同，制造了一个动画并在2004年的5月将它发布到网上。这便是《大鱼海棠》的前身。这部动画因其拍案叫绝的画面和对道家经典《逍遥游》的学习在国内外备受称誉。“那时，这个故事对我来说全都关乎自在，由于我刚刚开端从事我一向梦想着的动画职业，”梁旋说道。

However, to turn a flash animation into a full-length film was an undertaking more difficult than Liang and Zhang expected. Before it hit the big screen, the directors faced a shortage of funds and a lack of talented animators.
但是，要将一个动画变成一部长片电影，这是一项超乎梁旋和张春幻想的艰巨工作。上映前，导演们还面临着资金和动画人才的缺少。

As the production overcame these hurdles, the Big Fish story started to reflect the more complicated realities of life. Liang believes this complexity will ultimately give the film its long-lasting charm. “When you look back at Disney’s great animated films like Bambi (1942) and The Lion King (1994), you’ll find their themes and sentiments are never out-of-date,” Liang added.
制造过程中，这些困难逐个霸占，《大鱼海棠》的故事逐步反映出愈加杂乱的日子实际。梁旋信任这会给这部电影带来经久不衰的魅力。“当你回头看看迪士尼那些巨大的动画电影，比方《小鹿斑比》(1942) 和《狮子王》 (1994)，你会发现它们的主题和情感永不过期，”梁旋弥补道。

Judging from Big Fish’s trailer, the film promises a *lush world full of creativity and beauty, as well as a plot with the ambition to convey profound themes. “But the question of whether the 12 years of slow-fire cooking has made sweet malt still awaits its answer, as audiences prepare to go watch the animated film,” commented Zu Jiyan of The Beijing Times.
从《大鱼海棠》的预告片来看，这部电影营建了一个令人赏心悦目的国际，这儿充满了发明造力和美感。其故事情节则意在展示深入的主题。“终究是否是十年磨一剑，慢工出细活呢？这些问题恐怕要比及《大鱼海棠》真实上映之后，才干取得答案。”《京华时报》的祖纪妍评论道。