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百年孤独50周年英文介绍

作者:APRIL    文章来历:本站原创    更新时刻:2017-5-30

百年孤独50周年英文介绍
There are works of fiction that are published, enjoyed, but after a few years, more or less disappear. Then there are novels that don’t just have literary success, but major cultural impact. One such book is One Hundred Years of Solitude (1967), whose 50th anniversary is this year. It was written by Colombian author Gabriel Garcia Marquez (1927-2014).
一些科幻著作出书后遭到人们喜欢,但几年往后,它们或多或少都消失了。还有一些小说不但获得了文学上的成功,还具有严重的文明影响力。由哥伦比亚作家加夫列尔·加西亚·马尔克斯(1927-2014)所著《百年孤独》(1967)便是这样一本书,而本年,它迎来了面世50周年。


The novel is a major example of a revolution in South American writing that was to have a profound influence on global literature. The method of writing that Marquez and others are credited with inventing, “magic realism”, shifted normal storytelling into a style where anything could happen.
这部小说是南美发明革射中的一大模范,在全球文坛具有深远影响。马尔克斯和其别人的写作办法发明晰“魔幻现实主义”,将惯例的故事叙说改变成了一种任何工作都可能发生的风格。


It is an epic tale of the nation of Colombia, from the country’s founding to the author’s own time. The nation is presented as the fictional town of Macondo; the Colombian people as the Buendia family and the people around them.
这是一个发生在哥伦比亚的史诗级故事,故事从这个国家建立之初开端,一向贯穿到作者所在的时代。这个国家以虚拟的乡镇马孔多出现在小说中,而哥伦比亚公民则好像布恩迪亚宗族及其身边的人们。

Marquez treats Colombian history skeptically. He focuses on political corruption, civil war and the negative influence of American big business. And while this could be a description of a very conventional novel, One Hundred Years of Solitude is anything but conventional.
马尔克斯以一种置疑的目光看待整个哥伦比亚前史。他重视着政治腐败、内战以及美国财团所带来的的负面影响。虽然这样的描绘很像在描述一部适当传统的小说,但《百年孤独》却并不符合惯例。

To understand what makes Marquez’s work different, we must explore its “magical realist” style. Here is a random selection of incidents from his novel: A baby is born with a pig’s tail; ice is discovered; a bathroom is haunted by ghosts. A book filled with such strange things seems very silly. And indeed, the author wrote that it was difficult to find a style that would draw the reader in. First of all, he commented, “I tried to tell the story without believing in it.”
为了可以了解马尔克斯的著作有别于别人之处,咱们需求探究其“魔幻现实主义”的风格。以下是从他的小说中随机抽取的一系列工作:生来就带着猪尾巴的婴儿;发现冰块;闹鬼的澡堂。一本满是这些怪事的书看起来好像笨头笨脑的。事实上,作者也写道,要找到一个招引读者的风格很难。首要,他评论到,“我企图在自己都不信任这个故事的条件下来讲故事。”

百年孤独50周年英文介绍

 
This is actually a technique with a long tradition. An example of this writing style is the 18th-century novel, Tristram Shandy (1759-1767) by Irish author Laurence Sterne (1713-1768). The book is full of very fanciful things. But because the character Tristram admits to the reader that it’s all made-up, the fancifulness is a joke shared between Sterne and the readers. Writing his novel, Marquez tried something like this, but found he couldn’t make it work for him.
事实上,这是个有着悠长传统的写作办法。18世纪,由爱尔兰作家劳伦斯·斯特恩(1713-1768)所著的小说《项狄传》便是一个比如。该书充满着天马行空的事物。但由于特里斯舛这一人物向读者点明晰这一切都是虚拟的,所以这些梦想都只是斯特恩和读者之间所共享的玩笑话。马尔克斯在发明自己的小说时,尝试了一些诸如此类的办法,但是却发现,这并不合适他。


It took amemory of his grandmother to show him the right way to write the novel. He recalled that when she told him stories in his childhood, she would put on a “brick face”. Marquez remembered this trick and began to write the novel differently. He wrote, “I discovered that what I had to do was believe in [the characters] myself and write them with the same expression with which my grandmother told them.”
一段与祖母的回想,为马尔克斯发明该书指明晰方向。他回想道,年少时,祖母给他讲故事时的“严厉脸”。 马尔克斯想起了这个小技巧,并开端以不同的办法写作。他写道,“我发现,我所需求做的便是信任(人物),用与我祖母讲故事时相同的表情来描绘他们。”


In other words: If you tell something to someone with an absolutely serious expression on your face, you have a chance of them believing what you say. It seems that mastering this trick of his grandmother’s helped Marquez create one of the greatest literary works of the 20th century.
换言之:假如你以一副适当严厉的表情告知别人某件工作,你就有时机让他们信任你所说的事。把握了祖母这一小技巧,好像协助了马尔克斯发明出20世纪最巨大的文学著作之一。

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百年孤独50周年英文介绍
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